Violence
and the Scapegoat
The gospel, for the first time in
history, gave voice to the victim of violence. Its subversive message
is the only way society can avoid the endless cycles of revenge currently
played out on the world stage
by Philip Hunt
WHEN SLOBODAN MILOSEVICS plan to
be the new Tito fell apart into the Balkan wars of the last decade, the
West, led by the US, made various attempts at peace. Milosevic was included
as a necessary part of the peace-making process. By the time NATO got
around to bombing Serbia and a million Kosovars were running for
their lives Milosevic had become persona non grata. Why the turnaround?
After a monumentally bad season, AFL team the Fremantle Dockers sacked
their coach, Damian Drum. Drum heard the news via the media. Whats
going on there?
When the merger with Hawthorn failed, Joe Gutnick saved the Melbourne
Football Club. They appreciated it so much they made him club president.
After a few years he fell out of favour and was sacked/pushed/resigned
(select one). The fact that Joe is Jewish and does not fit the stereotype
of a Melbourne Football Club member (let alone president), of course,
had nothing to do with it. When an ABC commentator asked Alan Stockdale
whether Joes ethnicity was a factor, Stockdale exploded in rage
as if a Big Red Button had been pushed. Whats happening there?
Melbourne University researchers have investigated the activities in the
year 401 BC of the Greek General, Xenophon, and his army of 10 000 men.
The Sunday Age reported on their discoveries:
Ten thousand men once passed this way. They travelled light and
lightly armed, leaving behind the charred remains of camps, bodies of
the dead and those who had succumbed to snow-blindness or lost toes to
frostbite. A soothsayer proposed a sacrifice to appease the cold north
wind and there was a distinct falling off in violence wrote
the Greek General.
What connects all these stories?
The unity of violence
RENE
GIRARD UNLOCKED the key to understanding the connection between violence
and society. When cultures fall apart, they fall into violence; and when
they revive themselves, they do so with violence.
Girard was a French Catholic academic working in the US. He wrote two
seminal works, Violence and the Sacred (1977) and Things Hidden Since
the Foundation of the World (1978 in French, 1987 in English). He described
the mechanism by which cultures are created, and the structure of myth
that keeps them going. This mechanism is called the scapegoating mechanism,
and it works like this: Violence in a society is resolved by blaming a
victim. A victim is identified. They are accused as being responsible
for the violence in the society. They are killed.
When I describe this mechanism to a group and ask for examples, the three
most commonly identified are witches, the Jews in Hitlers Germany
and the French aristocracy at the time of the French revolution.
When the victim is accused, something miraculous happens. The community
finds itself of one mind. There is enormous common purpose and wondrous
social cohesion. Indeed, a kind of peace. (AFL football crowds provide
examples of this kind of response. All the supporters of one team unite
in disparagement of the white maggot when an umpiring decision
goes against their team. Anyone who has not felt the thrill of unanimity
when you rise with 50 000 other people at the MCG in common vilification
of a bad umpiring decision must be emotionally dead.) Finally, when the
victim is killed, peace and stability returns to the community.
Girard
was not the first to observe there is a link between violence and social
solidarity. It is a common phenomenon, observed by sociologists and writers
for centuries. Just read how George Orwells Big Brother
creates social cohesion by ensuring everyone believes the society is under
siege from a violent enemy. And most managers and leaders know the easiest
way to get a group to work together is to create a common enemy.
Girards insight is to see that the scapegoating mechanism is at
the very heart of our modern society. But why is this an insight at all?
Why has it taken aeons for such an insight to become possible?
Violence making myth
THE ANSWER TO this lies in the way myth
works in society. It often works to obscure and reinterpret the violence;
it makes the unacceptable acceptable.
In Nazi Germany a myth emerged that the Jews were; (a) manipulators of
world finances and; (b) responsible for poverty in Germany in the 1930s.
If anyone was to be held responsible for poverty in Germany between the
wars it was the victors of World War I who crippled the German economy
with retribution. The poverty caused by the revenge of the winners provided
the social milieu in which Nazism could rise. It also created economic
violence which needed to be scapegoated.
The myth that the Jews were responsible created a justification for their
murder. And, coincidentally, their murders created social cohesion in
the rest of society. But only so long as the myth served to obscure the
innocence of the victims. Most people in Germany believed the myth of
their culpability. They deserved to die, or so people believed.
Without myth, we would see what we have done. Myth obscures the truth
of the event. It prevents us from saying sorry.
When I worked with World Vision, I observed that people who got caught
up in mob violence sometimes reached a point of contrition. They would
say, How could I have done that? For some it may have been
the next day. Others took longer. Many never asked the question.
The role of myth is to extend the gap between the violence and the contrition.
So long as the myths hold true, the violence can be viewed as justified
and necessary.
In ancient society myth took the form of religion. Most often, the victim
became a god (which is a pretty effective way of obscuring their status
as a victim!); a god who demanded more victims. So human sacrifice became
an essential part of early religion.
The effect of human sacrifice was to re-enact the scapegoating event with
as much horror and blood as before. The re-enactment attempted to recreate
the sense of social cohesion that the mob murder of a victim creates.
In time, human sacrifice was transformed into animal sacrifice. And then
into evermore symbolic sacrifices.
Until today, most of our sacrificial rituals are symbolic and so clouded
in myth that we do not even have an inkling of what lies beneath them.
These are things hidden since the foundation of the world.
Our modern sacrificial rituals include removal of leaders (elections,
succession), sport (which Orwell called war without guns),
actual wars (against the Taliban, the Iraqis, etc.), ambition (victory
over others in promotion), keeping up with the Joneses (which is really
about beating up the non-Joneses).
Innocent Victims?
LETS PLAY A word association game. If I write the word victim
what pops into your head? Most people will answer innocent.
What makes us, in the 21st century, associate innocence with victims.
It was not always thus.
In 14th century France there was a village which had four bad harvests
in a row. After some discussion among the townspeople it was discovered
there was an old woman living on the edge of the village who was a witch.
The witch was accused of causing the bad harvests and was killed by the
townspeople. The next years harvest was much improved.
Was the woman a witch? Most people today would say she was not. And even
those who still believe in the possibility that she was a witch would
probably agree that she was not responsible for the bad harvests. We know
today that she was innocent.
How do we know that?
The usual answer is that since we invented science, we know that witches
do not cause bad harvests. But, if we understand the role of scapegoating
and myth in society, we might see that we could not have invented science
until we had stopped believing in witches. Why should we have put effort
into inventing science, when we already had a perfectly satisfactory way
of understanding what was going on with our agriculture (that bad harvests
were caused by witches)?
As long as we believed in witches we needed no other explanation. As long
as Robespierre could maintain the myth of the guilt of the French aristocracy,
he could have a cohesive revolution. As long as Hitler could maintain
the myth of Jewish guilt, he could hold the Nazi Reich together.
And, the reverse idea is also true. Victims can have social cohesion by
believing the myths of their victim-ness.
As long as Milosevic could maintain the idea that the Serbian people were
the perpetually innocent victims of the Turks, Austrians, Croats and NATO,
he could hold the Serb people together. Similarly, as long as the Jews
see themselves as the perennially innocent victims, a form of social cohesion
is maintained.
The important historical question is why these mythical structures broke
down. Why is it that stories like The Scarlet Pimpernel arose
to puncture the idea that all French aristocrats were guilty? How is that
we no longer believe in the guilt of the Jews? Even in Germany and Austria,
hardly anybody believes this today even if their parents or grandparents
once may have.
Why is it that Milosevic, who once held the Serbian nation together, was
handed over by them in exchange for the modern equivalent of 30 pieces
of silver? And the deed done on St Vitus Day, the most symbolic way possible
for Serbs?
The answer to this question is Jesus Christ.
The New Testament gives the victim voice
GIRARD WRITES THAT the New Testament
is the essential text in the cultural upheaval of the modern world.
Gil Bailie, writing in Violence Unveiled (1995), says the central event
in the New Testament is a public execution, an act of official violence
regarded as legally righteous by the political authorities and as a sacred
duty by the religionists.
Did the people who killed Jesus think he was innocent? No way. They were
certain he was guilty. The political authorities were certain they were
legally right. The religious authorities were certain they were within
Gods will. Caiaphas avows that it was expedient that one man
die for the people thus stating the scapegoating principle with
perfect precision.
Jesus was a scapegoat. And, in most respects, the crucifixion of Jesus
was not dissimilar to the official murders of thousands of victims before
or since. Yet in one respect it is very different.
The Gospels tell a perfectly typical story of victimisation with
astonishing insight into the role religious zeal and mob psychology played
in it. Most importantly, and contrary to all myth, the story is told from
the point of view of the victim and not that of the religious community
of persecutors, says Gil Bailie.
The voice of the victim is heard. We see the innocence of the victim.
And the scapegoating mechanism is unveiled.
We hear the victims cry from the concentration camps, and the Nazi
myth is destroyed. We hear the voices of Kosovars while the Serbian paramilitaries
are burning their houses, and the myth of Serb victim-hood is shattered.
And, later, we hear via the Internet what it is like to live in Belgrade
while NATO bombs away, and the myth of Serb aggression is likewise demolished.
Once we see how scapegoating works, it does not work too well any more.
It is as if our minds have been, as Bailie writes, infected with
a demythologising virus that the Gospel has let loose in the world.
And so we have been living these past 2 000 years in a time when the scapegoating
mechanism, upon which culture has relied for its security, is being systematically
subverted by the message of the Cross. The revelation of the gospel makes
us aware of the innocence of victims and it deconstructs the justifying
myths, rendering them impotent.
I leave the last word to Gil Bailie: Empathy for the victim and
the need for our rituals of victimisation are incompatible. Sooner or
later one of them will have to prevail over the other.
Philip Hunt is a Melbourne writer and management
consultant. He was chief executive of World Vision Australia and vice-president
for World Vision in the Middle East and Eastern Europe.
Authors Note: The best introduction to the Girardian Hypothesis
is Gil Bailies book Violence Unveiled: Humanity at the Crossroads.
It is available at www.florilegia.org
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