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Xena's Feminine Mystique
by Marion Williams
Zadok Perspectives Issue No. 63
Autumn 1999
The New Woman
XENA HAS BEEN DESCRIBED as
a "babe who kicks butt". Her outfit is comprised of boots, leather
and breastplate, packing cleavage and thigh in suitable warrior attire.
Her blue eyes, white teeth and blue-black hair are more 'princess' than
'warrior', not unlike Wonder Woman . . . but scarier.
Through the various waves of feminism beginning with the Suffragettes,
women have attempted to break through the barriers of social forces in
the search for identity and mastery in a world that was once purely defined
and organised by men. From the '70s onward we have even been faced with
the entrance into society of an unashamed female sexuality that is assertive,
self-contained and doesn't rely on men or culturally feminine imagery
to give it identity and value.
For many reasons this portrayal of womanhood is still seen as not quite
complete, and in many circles still quite deviant. It can be suggested
that Xena embodies the essence of such a female and she is in touch with
her soft side 'to boot'. One could even say Xena's angry violent past
is an analogy of angry feminism that had its place in history but is now
seeking integration with other aspects of femaleness.
Australian writer Richard Neville has identified Xena as "just a
big, brassy, pseudo-Greek legend waylaying everything in her path, especially
men".
It has been pointed out that in Xena we see that the traditional male
lead role of a warrior, symbolising the essence of masculinity, represented
by a woman. Xena's outward appearance is one part harem girl (feminine)
and one part warrior (masculine). Her clothing highlights her femininity
while at the same time 'shielding' it. Her sword, a masculine image of
strength and power, which could be seen as a phallic symbol, is worn on
her back or her side. Her chakram, a circular metal disk with a razor
sharp edge which can slice through steel as well as flesh when thrown,
is worn on her hip. Its circular shape is symbolic of the female gender
and it is her ultimate weapon and source of strength.
Dixie Harrison, 38-year-old mother of five, grandmother of three and webmaster
of Xena Online Resources shows the influence Xena as the 'new woman' can
have on personal lives:
I was brought up in the tradition of bowing to certain inevitabilities-as
a female, my job was compliance, cooperation and peacemaking. Any outward
signs of resistance or feelings of rebellion were unacceptable . . . Xena
is Xena and does what she thinks needs to be done . . . But she has her
hidden weak points too-she is not infallible. She carries much pain with
her . . . she's just a woman-with all the fears, fallacies and pains of
a woman-who strides the world boldly as a person.
As a woman who does battle with warlords, monsters, gods and mortals,
she is one hell of a role model. Neville points out that Xena "overturns
the last impediment to a world of total equality", and Xena's 'wish-fulfilment
function' can be seen very clearly when reviewing her physical abilities:
combat and warfare skills; agility, acrobatics and martial arts. Smart,
fearless and heroic, she always tries to solve things peacefully; but
once committed to a course of action, she is unrelenting.
To: ThePower
of Friendship
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Marion Williams
Marion Williams is a counsellor specialising in sexuality and gender,
and director of Women's Ministries at Exodus, South Melbourne. She
wishes to thank Xena-fan, Dr. Louise MacIntosh, for her kind input
into this article. e-mail: Maz_Williams@iname.com
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