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| Zadok : Papers : The Abuse of Consumerism |
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Zadok Paper S101 Winter 1999 End Notes [1] Paul Ricoeur, Time and Narrative Volume 1, (trans. Kathleen McLaughlin & David Pellauer), Chicago, University of Chicago Press, 1983. Return to Text [2] Chris Beck, 1998, "Leunig on the Loose", HQ, No. 59, pp. 62(66. Return to Text [3] Umberto Eco, Travels in Hyper-reality, (trans. William Weaver), Harcourt, Brace & Jovanovich, San Diego, 1986, p.148. Return to Text [4] Ched Myers, Who Will Roll Away the Stone?, Orbis Books, New York, 1994, p.61. Return to Text [5] Eco, op. cit., pp.148(9. Return to Text [6] Fritz Haug, Critique of Commodity Aesthetics, (trans. Robert Bock), Polity Press, Cambridge, 1986, p.117. Return to Text [7] Guy Debord, The Society of the Spectacle, Zone Books, New York, 1967, pp.12(13. Return to Text [8] ibid., pp.13, 18(19. Return to Text [9] U2, "Numb", Zooropa, Island Records, 1993. Return to Text [10] Lesley Laing, "Other Ways of Understanding, Training Sexual Assault Workers", in Jan Breckenridge and Moira Carmody (eds), Crimes of Violence, Australian Responses to Rape and Child Sexual Assault, Allen & Unwin, Sydney, 1992, p.83. Return to Text [11] ibid, p.74. Return to Text [12] Laing & Kamsler, 1990, "Putting an End to Secrecy, Therapy with Mothers and Children Following Disclosure of Child Sexual Assault", unpublished paper, quoted in Roberta Freedman and Kathy Want, "The Power of Therapy, Working with Children who have been Sexually Abused." in Breckenridge and Carmody (eds), op. cit, p.123. Return to Text [13] Roberta Freedman and Kathy Want, "The Power of Therapy, Working with Children who have been Sexually Abused", in Breckenridge and Carmody (eds), op. cit., p.126. Return to Text [14] Roland Barthes, Mythologies, (trans. Annette Lavers), Paladin, London, 1973, p. 117. Return to Text [16] ibid, p. 123. Return to Text [18] ibid, p. 125. Return to Text [20] ibid., p. 133. Return to Text [21] ibid., p. 140. Return to Text [22] ibid., p. 142. Return to Text [23] Debord, op. cit., p. 93. Return to Text [24] U2, "Zooropa", from the album Zooropa, op. cit. Return to Text [25] Nike, for example, spends more than US$100 million per year on advertising which includes a billboard in Times Square for which they pay US$50,000 per month. Read Schuchardt, "Nike, The Mark of the Best", 1998, Zadok Perspectives, No. 60, Autumn, p. 26(31. Return to Text [26] Take for example the fact that the average number of commercials seen by American children by the age 18 is 350,000. Douglas Coupland, Generation X, St Martin's Press, New York, 1991, p. 182. Return to Text [27] Christopher Lasch, The Culture of Narcissism, Norton, New York, 1979, p. 74. Return to Text [28] Midnight Oil, "Renaissance Man", from the album, Earth and Sun and Moon, Columbia, 1993. Return to Text [29] The Verve, "Bittersweet Symphony", from the album, Urban Hymns, EMI Records, 1997. Return to Text [30] Although my argument here draws concepts from the Marxist heritage, I am not a Marxist. I find the historical materialism and anthropocentric progressivism of Marxism to be unsatisfactory. In borrowing concepts, therefore, I do not accept the associated metaphysical baggage of Marxism. Return to Text [31] Karl Marx, Economic and Philosophic Manuscripts of 1844 (trans. Martin Milligan), International Publishers, New York, 1964, p. 167. Return to Text [32] William Dowling, Jameson, Althusser, Marx, An Introduction to The Political Unconscious, Cornell University Press, Ithaca, 1984, p. 27. Return to Text [33] Although Marcuse draws largely from the Marxist heritage, he is not in a strict sense a Marxist. As Eckersley writes, this distinction must be made since he "replaced the critique of political economy with a critique of technological civilisatio.." Robyn Eckersley, Environmentalism and Political Theory, State University of New York Press, Albany, 1992, p. 101. Return to Text [34] Herbert Marcuse, One Dimensional Man, Routledge & Kegan Paul, London, 1964, p. 24. Return to Text [35] Midnight Oil, "Bring on the Change", from the album, Breathe, Malcolm Burn, Sony, 1996. Return to Text [36] Fredrick Jameson, Postmodernism, or The Cultural Logic of Late Capitalism, Duke University Press, Durham, 1991, p. xix. Return to Text [37] ibid., p. x. Return to Text [38] ibid., p. 36. Return to Text [39] ibid., p. 4. Return to Text [40] Richard Eckersley (ed.), Measuring Progress, CSIRO Publishing, Melbourne, 1998, p. 6. Return to Text [41] ibid., p.8. Return to Text [42] Richard Eckersley, op. cit., p.10. Return to Text [43] Ched Myers, Who will Roll Away the Stone?, op. cit., p. 70. Return to Text [44] Guy Debord, op. cit., p. 33. Return to Text [45] graffiti seen in Russell Street, Melbourne, 1998. Return to Text [46] Jean Baudrillard, In the Shadow of the Silent Majorities, Semiotext, New York, 1983, p. 27. Return to Text [47] Timothy Luke, Screens of Power, University of Illinois Press, Urbana, 1989, p. 181. Return to Text [48] ibid., p. 36. Return to Text [49] ibid., p. 37. Return to Text [50] ibid., p. 32. Return to Text [51] Negativland, "Voice Inside My Head", from the album, Dispepsi, Seeland Records, 1997. Return to Text [52] Jameson, op. cit., p. 275. Return to Text [53] Barthes, op. cit., p. 97. Return to Text [54] ibid., p. 59. Return to Text [55] Naomi Wolf, The Beauty Myth, Vintage, London, 1990. Return to Text [56] Midnight Oil, "Earth and Sun and Moon", from the album, Earth and Sun and Moon, op.cit. Return to Text [57] World Commission on Environment and Development, Our Common Future, Oxford University Press, Oxford, 1987. Return to Text [58] Marx, op. cit., p.1 08. Return to Text [60] ibid., pp. 109(110. Return to Text [61] ibid., p. 114. Return to Text [62] Robyn Eckersley, op.cit., p. 97. Return to Text [64] Deloria Vine, "Circling The Same Old Rock", in W. Churchill (ed.), Marxism and Native Indians, South End Press, Boston, 1983, p.135, quoted in Myers, Who Will Roll Away the Stone, op. cit., p. 392. Return to Text [65] Jurgen Habermas, op. cit., p.88. Return to Text [66] Robyn Eckersley, op.cit., p. 103. Return to Text [67] Jameson, op. cit., p.314. Return to Text [68] ibid., p. 317. Return to Text [70] Myers, Who Will Roll Away the Stone?, op. cit., p. 68. Return to Text [71] Lasch, op. cit., p. 210. Return to Text [72] ibid., p. 209. Return to Text [74] Wolf, op. cit., p. 82. Return to Text [75] ibid., p. 83. Return to Text [76] Debord, op. cit., pp. 115, 141. Return to Text [77] Graffiti seen in Gertrude Street, Fitzroy, 1998. Return to Text [78] Spoken by the creator genius Christof from Peter Weir's film, The Truman Show. The script was taken from the web site www.un-official.com/Truman/TrumanShow.html. Return to Text [79] Alisdair MacIntyre, 1977, "Epistemological Crises, Dramatic Narrative and the Philosophy of Science", Menise, 4, p. 459. Return to Text [80] Douglas Coupland, Life after God, Pocket Books, New York, 1994, pp. 271(3. Return to Text [81] The Truman Show, op. cit. Return to Text [82] Luke, op. cit., p.36. Return to Text [83] ibid., p. 37. Return to Text [84] ibid., p. 36. Return to Text [85] ibid., p. 38. Return to Text [86] Andrew Leak, Barthes, Mythologies, Grant & Cutler, London, 1994, p. 50. Return to Text [87] Jean Baudrillard, In the Shadow of the Silent Majorities (trans. Paul Foss, John Johnston & Paul Patton), Semiotext, New York, 1983, p. 35. Return to Text [89] A phrase which began as the name of an American band of the same name in the early 1980s. Return to Text [90] Baudrillard, op. cit.., p. 84. Return to Text [91] Jameson, op. cit., p. 275. Return to Text [92] Eco, op. cit., pp. 44, 19. Return to Text [93] Smashing Pumpkins, "Jellybelly", from the album, Mellon Collie and the Infinite Sadness, Virgin Records, 1995. Return to Text [94] Lasch, op. cit., p. xvii, p. 5. Return to Text [95] Ricoeur, Time and Narrative, op. cit., p. 3. Return to Text [96] Debord, op. cit., p. 141. Return to Text [97] Marcuse, op. cit., p. 88. Return to Text [98] Myers, Who Will Roll Away the Stone?, op. cit., p. 117. Return to Text [99] Jameson, op. cit., p. 18. Return to Text [100] ibid., p. 25. Return to Text [101] ibid., p. 18. Return to Text [102] ibid., p. 17. Return to Text [103] Bob Pittman, founding chairman of the MTV network, quoted by Quentin Schultze, Dancing in the Dark, Youth, Popular Culture and the Electronic Media, Eerdmans, Grand Rapids, 1991, p. 192, quoted in Richard Middleton & Brian Walsh, Truth is Stranger Than It Used to Be, InterVarsity Press, Illinois, 1995, p. 55. Return to Text [104] Anthony Giddens, Modernity and Self-Identity, Stanford University Press, California, 1991, p. 54. Return to Text [105] Nirvana, "Smells Like Teen Spirit", from the album, Nevermind, Butch Vig and Nirvana, Virgin Music, 1991. Return to Text [106] Ricoeur, Time and Narrative Volume 1, op. cit., p. 65. Return to Text [107] Paul Ricoeur, Oneself as Another (trans. Kathleen Blamey), University of Chicago Press, Chicago, 1992, p. 162. Return to Text [108] Ricoeur, Figuring the Sacred, op. cit., p. 309. Return to Text [109] Ricoeur, Time and Narrative Volume 1, op. cit., p. 66. Return to Text [110] Douglas Coupland, Generation X, op. cit., 1991, p. 96. Return to Text [111] Coupland, Life After God, op. cit., p. 176. Return to Text [112] Middleton & Walsh, op. cit., p. 78. Return to Text [114] Debord, op. cit., p.114. Return to Text [115] Lasch, op. cit., p. 68. Return to Text [116] ibid., p.xviii. Return to Text [117] Wachtel, op. cit., p. 225. Return to Text [118] Cited by Jameson, op. cit., p. 26. Return to Text [119] ibid., p. 25. Return to Text [120] ibid., p. 26. Return to Text [121] ibid., p. 28. Return to Text [122] ibid., p. 27. Return to Text [123] U2, "Bullet the Blue Sky", from the album, Rattle and Hum, Island Records, 1988. Return to Text [124] Haug, op. cit., p. 52. Return to Text [125] Lasch, op. cit., p. 91. Return to Text [126] Ched Myers, Binding the Strong Man, Orbis Books, New York, p. 15. Return to Text [127] Mary Douglas & Baron Isherwood, The World of Goods, Routledge, New York, 1996, p. 44. Return to Text [128] Judith Williamson, Decoding Advertisements, Boyars, London, 1978, p. 70. Return to Text [129] ibid., p. 51. Return to Text [130] Luke also notes this phenomenon describing it as the 'virtual community' of the consumer. Luke, op. cit., p. 91. Return to Text [131] Williamson, op. cit., p. 53. Return to Text [132] ibid., p. 60. Return to Text [133] Daniel White and Gert Hellerick, "Nietzsche at the Mall: Deconstructing the Consumer", at website http,//www.ctheory.com/a-nietzsche_at_the_mall.html, page 6 of 10. Return to Text [134] Wachtel, op. cit., p. 238. Return to Text [135] Douglas Coupland, Generation X, op. cit., p. 126. Return to Text [136] Luke 16:13, New Revised Standard Version, Zondervan, Michigan, 1993. Return to Text [137] Luke, op. cit., p. 87. Return to Text [138] ibid., p. 89. Return to Text [139] ibid., p. 91. Return to Text [140] Baird Callicott, Earth's Insights, University of California Press, Berkeley, 1994, p. 184. Return to Text [141] Luke 10:29, New Revised Standard Version, Zondervan, Michigan, 1993. Return to Text [142] Ricoeur, Oneself as Another, op. cit., p. 164. Return to Text [143] Ricoeur, Figuring the Sacred, op. cit., p. 14. Return to Text [144] Ricoeur, Oneself as Another, op. cit., p. 168. Return to Text [146] Coupland, Generation X, op. cit., p. 171. Return to Text [147] Wachtel, op. cit., p. 250. Return to Text [148] Wachtel, op. cit., p.61. Return to Text [149] Paul Ricoeur, From Text to Action (trans. Kathleen Blamey & John Thompson), Northwestern University Press, Illinois, 1991, p. 10. 20 22
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